The best superhero comedies

With the start of the new century, the entertainment industry took us into a whole new realm that changed our understanding and fluidity of popular culture, especially as it relates to the superhero genre. While many of us were used to the ideas and tropes presented in comics, superhero movies created new opportunities for people to tell stories; some totally unpublished and others adapted. Some with many freedoms to go better with this time, but the more stories are made, the less we have to see in terms of innovation.

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We got to a point where we didn’t just need to be given traditional superhero movies. We are ready to see different superhero stories, risky, presented in a wild way. Superhero movies that do not look the same and that do not follow a style that seems to be traced from a previous installment. And we also need to laugh, but not in a silly way, because even to make people laugh you have to know when is the best time for a joke. With so many films filling the landscape of this type of cinema these days, it can be difficult for a new release starring a character in a cape to stand out, but one surefire way is to contribute to a part of the genre that is not as crowded, as the superhero comedies.

We are not referring to the films of the great franchises, although many of them do have more of comedy than drama, but to all the other films that move a little further from the traditional sense of value and realism that the others still show, but Rather, they satirize the tropes featured in superhero movies belonging to the big studios. Superheroes are too easy to ridicule, after all they wear capes and costumes that no person in their right mind would use, in addition to their way of seeing life is, for the most part, so “robotic” since for these characters it only exists black and white.

Superhero comedies allow themselves to navigate territory largely unknown to productions that often star these characters, and it is there that studios can find their strongest side as creatives can be freer to play. time to create new stories. Few have dared to experiment with comedy and superheroes, but both in cinema and on television we can find some outstanding productions that we will tell you about below.

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The Incredibles – 97%

This film is one of Pixar’s most beloved and, how could it be otherwise, it has characters that make the public feel great affection for them, moments worthy of laughter and a lot of heart. Brad Bird conceived the film as the story of a normal family that has superpowers and is set in a world where superheroes have existed for years but have been outlawed, so the family hides the fact that they have superpowers. The Incredibles is both a loving tribute and a scathing criticism of this film and featured a sequel that, although it does not retain the magic in the same way, is something worth watching.

Flora and Ulysses – 85%

In one of the recent Disney Plus premieres, Flora (Matilda Lawler) is a cynical child whose father is an aspiring comic book writer, giving Flora an expert vision of the world on the genre. So when this magic squirrel, named Ulysses, enters her life, she finds that this animal is behaving like a superhero, and applies her knowledge to their relationship. Along the way, this film in addition to the comedy will make the audience feel sentimental because in the story the gap between her father and mother and the girl’s relationship with both is closed.

The mask – 77%

The famous comedy The Mask – 77%, based on the comic of the same name and starring Jim Carrey in the title role, takes the premise of a nerdy loser gaining divine powers and uses them in the craziest way possible. Stanley Ipkiss finds a magical mask that is inhabited by the spirit of the trickster god Loki. After using the mask’s abilities to get revenge on those who have wronged him, he is confronted by an insane gangster who wants the mask for himself. This film takes advantage of its chaotic energy and unbridled performance by Carrey to make the audience laugh.

Kick-Ass: a Superhero without Superpowers – 76%

Mark Millar’s adaptation of the comic leads us to wonder what the world would be like if superheroes existed, but it puts a new twist on it. Teenager Dave Lizewski (Aaron Taylor-Johnson) dons a suit and attempts to foil a crime, but soon learns that not everything is like in his favorite comics. When he continues to suck at the crime fight, he is saved by a Batman-like vigilante named Big Daddy (Nicolas Cage) and his 13-year-old daughter, Hit-Girl (Chloë Grace Moretz). This movie also functions as a deconstruction of superhero movies in a world where characters know superhero comics.

Super School Of Heroes – 73%

Over time, Super School Of Heroes – 73% is being remembered as a great movie. After all, its premise is quite original: When your father is one of the best-known superheroes in the world, it can be difficult to measure up. Will Stronghold (Michael Angarano) tries to develop his own superpowers by attending Sky High, the specific high school for students with special abilities. As Will tries to become a superhero, his biggest challenge will be trying to stop a classmate (and daughter of a supervillain) from seeking revenge against her father. This neglected gem is not just a heartwarming family movie, it defies many superhero stereotypes.

Mystery Men – 60%

Mystery Men – 60% have gained a cult following for their unique combination of dry humor and “goofy” comedy. Its plot tells us that when superhero Captain Amazing (Greg Kinnear) is kidnapped by the evil Casanova Frankenstein (Geoffrey Rush), there are seven amateur heroes who will come to his rescue and make a name for themselves in the process. Their superpowers, involving the ability to throw silverware at lightning speed, are put to the ultimate test as they attempt to work together as a team.

Super – 48%

Before making a movie about a talking tree and raccoon, James Gunn directed Super, a dark comedy about the reality of superheroes. The filmmaker reasons that if an ordinary guy dons a colorful costume and starts beating criminals, he would not be celebrated. This film introduces us to a man named Frank Darbo (Rainn Wilson), who decides to put on a red suit and start beating criminals under the name Crimson Bolt when his wife is kidnapped. Naturally, society sees him as a violent psychopath, who recruits Elliot Page, who takes the name Boltie.

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