Steven Soderbergh shows no signs of slowing down the streak of quality he has carried since coming out of his brief early retirement. Soderbergh is also one of the most trusted “named directors” on the market; He has the work ethic of a professional with the dexterity of an author, and his films are the perfect blend of art and Hollywood.
His last movie, No Sudden Move, premiered on HBO Max this month. It is a period film set in the Detroit of the 50s, in which Soderbergh is in his sauce. If viewers liked it No Sudden Move, there are more things you should see.
10 “Deep Cover” is an excellent neo-noir
Bill Duke has a small role in No sudden movement as mob boss Aldrick Watkins; If you want to see how Duke works behind the camera, check out his 1992 feature film Deep Cover. It stars Laurence “Larry” Fishburne as Russell Stevens Jr, an undercover cop on the Los Angeles drug scene as “John Hull.” The son of a criminal killed by the police, Stevens has vowed never to look like his father, but the path he has chosen calls him to do so.
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There is tension in both action and dialogue scenes, and Jeff Goldblum has a chance to be the bad guy. The film’s setting, which highlights the (literal and moral) filth of urban America in the 90s, feels right at home with Bad Lieutenant, by Abel Ferrera, released a year before. Recently added to the Criterion Collection, Deep Cover demands to be seen.
9 “No Sudden Move” Shares DNA With “Eddie Coyle’s Friends”
With Eddie Coyle’s friends, Peter Yates brings George V. Higgins’s Boston Noir to the cinema. Released in 1973, Robert Mitchum plays the burly man of the same name, a cross-border arms dealer who is harassed by his “friends” on both sides of the law. Known for his great charisma, Mitchum delivers one of his most comprehensive performances. Plus, a New Hollywood movie starring a Golden Age movie star in the role of a man on the edge? Deliciously recursive.
The two films share some similarities, the most obvious being their urban neo-noir setting. A scene from Eddie Coyle , in which robbers kidnap a bank manager from his suburban home, seems to be the direct inspiration for the hostage-taking scene from No Sudden Move.
8 “High Flying Bird” demonstrates Soderbergh’s reach and experimentation
Soderbergh enthusiastically embraced the digital cinema revolution. Two of his most recent films, the thriller Unsane and sports drama High Flying Bird, they took it to the extreme and shot themselves with iPhones.
In the latter (in which Soderbergh did a triple job as director, cinematographer and editor) André Holland plays Ray Burke, a sports agent trying to maneuver to end an NBA strike. A sports movie without playing any sports is more exciting than you might expect.
7 “Killing Them Softly” is an equally political crime film
Why stick to just one Higgins adaptation? Adapted from the work of Cogan, director Andrew Dominik uses this gangster movie to tell a tale of decadence. The decline of the mafia, the decline of the United States, and how the two are interrelated: “America is not a country,” explains Jackie Cogan (Brad Pitt), “it’s just a business.”
This makes Kill them gently be a detective movie similar to No sudden movementAlthough Dominik seems determined to confront his audience while Soderbergh’s goals are clearly entertainment first and criticism second.
6 “Miller’s Crossing” is an even bigger period crime flick
As far as vintage gangster movies from the category of “No sudden movement“, there is nothing better than “Miller’s Crossing” of the Coen brothers. Sadly, overshadowed in its 1990 release year by “Goodfellas” and since then by other Coen canon films, the film is one of the best of the sibling duo.
Set in an unnamed American city during Prohibition, Tom Reagan is a gangster who faces both sides in a turf war; one of them is led by his former boss Leo (Albert Finney), the other by the promising Johnny Caspar (John Polito). Tom’s goals are nebulous to the end, but he succeeds thanks to a unique weapon, which most of the Coen protagonists lack: the brain.
5 “Red” has a similar social criticism
Network , by Sidney Lumet, is one of the greatest satires ever made in cinema; television may rule our lives, but who rules television? The answer: companies. Mr. Jensen (Ned Beatty) illustrates this point in a superb villain monologue.
On There is no sudden movement, Curtis (Don Cheadle) and Ronald (Benicio Del Toro) confront the owner of the document they have been hired to steal, Mr. Lowen (an uncredited Matt Damon). The document turns out to be a catalytic conversion design, something auto mogul Lowen wants to hide. Even after agreeing to the couple’s financial demands, Lowen blurts out that they will never leave their place with even a fraction of their wealth in hand. Damon is not nearly as fierce a performer as Beatty, but the monologue seems like a tribute, although he meets the opposite reaction; While Howard Beale (Peter Finch) got carried away by Jensen, Curtis and Ron shrug off Lowen’s verbal attack.
4 “Ocean’s Eleven” is the definitive heist movie of the 21st century
Although Soderbergh has a filmography of more than 30 titles and shows no signs of slowing down, he will most likely be remembered for Ocean’s Eleven above all. This 2001 heist movie, a remake of the 1960 Rat Pack vehicle, demonstrates Soderbergh’s talent for top-line talent like no other; brings together George Clooney, Brad Pitt, Julia Roberts and others, all of them at the peak of their careers and charisma.
No Sudden Move it doesn’t have the laid-back comedy of this movie, and the Las Vegas glamor is an obvious counterpoint to urban Detroit. After all, one of Soderbergh’s main strengths is variety. If you like this movie, the sequels (the appropriately titled Ocean’s Twelve/Thirteen) or Soderbergh’s pseudo-remake set in West Virginia, Logan Lucky.
3 “Out of Sight” is Soderbergh’s original crime film
Following his acclaimed debut in 1989, Sex, lies and tapes of video, it took Soderbergh nine years to consolidate his A-list status. The movie that allowed him to do so was Out of Sight, adaptation of the novel by Elmore Leonard. The story revolves around the recently escaped thief Jack Foley (George Clooney); After sharing a trip in the trunk of a car with US Sheriff Karen Cisco (Jennifer Lopez), the romantic tension brings the two together even when the law separates them.
Soderbergh lives up to the novel without unwavering fidelity, but the changes help the story transition to film; the result was a nomination for Best Adapted Screenplay. He also brings out the best in his actors and his camera to make an elegant and sexy film that is not seen today. Bonus points: Outof Sight It is also Soderbergh’s first collaboration with the star of No Sudden Move, Don Cheadle.
2 “Traffic” is another of Soderbergh’s crime classics
Traffic is a testament to Soderbergh’s work ethic – it premiered in 2000, just two years after Out of Sight. However, in that interval, Soderbergh made two other films: The Limey Y Erin Brockovich. Four movies in three years is awesome, four good movies in three years is a masterstroke.
As to TrafficIt is the first time that Soderbergh and Del Toro have worked together, and the latter plays the Mexican policeman Javier Rodríguez. Rodríguez’s story is one of three that are held together by the tie of the War on Drugs. Traffic , which examines how the war on drugs destroys the lives it is supposed to protect, was as relevant in the Clinton era tail as it is now No Sudden Move, which highlights the complicity of the automobile industry in the climate crisis.
1 “Uncut Gems” is another excellent and very different crime thriller
Julia Fox has a supporting role in No Sudden Move as Ronald’s mob wife / lover Vanessa Capelli. It’s a role that has surely been earned in part thanks to her role in Gems. without cut off. Directed by the Safdie brothers, Gems without cut off stars Adam Sandler as gambling junkie Howard; Outside of his Happy Madison comfort zone, Sandler delivers his career performance as a man at the end of the rope he keeps hanging on.
Stylistically, the two are different; it’s easy to contrast Uncut’s close-up mania Gems with the wide angle lenses of No Sudden Move . The shades also differ: Uncut G ems is as frantic as a panic attack, while No Sudden Move he is coldly competent. The only thing they have in common? The quality.