Since its inception, the movie A boss in diapers 2 he openly alludes to its origin, reinforcing the idea of the importance of children’s imagination. The funny thing is that we no longer see it from the perspective of an infant. Little Tim (James Marsden) has grown up to be the father of two girls, but he never stops exploring and exploiting his own creativity.
The crisis of jealousy that Tim experienced before the arrival of a younger brother, now turns into apprehension for a daughter who, in her emotional and intellectual maturity process, marks a distance from her father. The moms and dads of the movie audience A boss in diapers 2 They will recognize that the issue is not irrelevant at all. Added to that, over the years he has distanced himself from his brother Ted (Alec Baldwin).
As in the original film, the tribulations around the family will be favorably susceptible to the mission to be fulfilled by Baby Corp, the heavenly space where babies come from. And especially, those babies who have managerial and executive positions. Like Ted.
From the conspiracy of puppies for human affection, we move in this new installment to a plot to free children from their parents. This one is concocted by an individual named Dr. Erwin Armstrong (Jeff Goldblum, delightfully unleashed in megalomania). The task will require a peculiar regression process for the main characters.
With director Tom McGrath’s background in the trilogy of Madagascar, Megamente Y A boss in diapers, the rhythm and funny occurrences of Family Business are guaranteed. It is regretted, however, that the interesting approach did not evolve beyond that of its predecessor.
Due to the health crisis due to COVID-19, at Cine PREMIERE we recommend that you review the necessary health measures with the health authorities. Eespecially the General Guideline for the mitigation and prevention of COVID-19 in closed public spaces) before going to the cinema to see a movie.
Carlos Del Rio Unrepentant movie buff. Movie toy collector. Founder and host of @CinemaNET. Collaborator in Efekto Noticias and Filmmen. He has been writing for Cine PREMIERE since 2002.
